The year 1929 was a stand out year in world history. Prohibition was still on, flappers were dancing, and silent movies were waning as talkies were rising. Not only was it the end to a roaring decade, it also saw the birth of some of the most prominent woman in the world: Audrey Hepburn, the future Jacqueline Kennedy, and of course the dazzling actress-turned- princess, Grace Kelly.
This year Grace would have been 90 years old, and one has to wonder: what would she be like today? Its hard to think of Grace being, “an old lady”, as of course she would have still been a serene woman. But I think being a doting grandmother; and now, great-grandmother would have been most important to her.
To celebrate Grace’s 90th birthday: Ginnie (The Wonderful World of Cinema), Samantha (Musings of a Classic Film Addict) and I (Emily; The Flapper Dame) have decided to bring back the Wonderful Grace Kelly Blogathon for its fifth year. The rules and guidelines are the same as last year, but here they are again as a refresher:
– You can write about any topic relating to Grace- her movies, Hollywood relations/ friendships, collaborations with Hitchcock and Edith Head, her time as Princess of Monaco, her family- possibilities are endless- just make sure Grace is the center of the topic (naturally!) -The blogathon will run November 10-12, 2019 -Duplicates are allowed, since her filmography is only 11 movies! -Blog posts must be new material -Maximum of 2 entries per person -You CAN participate if you don’t have a blog- a guest post is acceptable!
and REMEMBER 1– Don’t participate if you don’t like Grace Kelly- in the past, Ginnie had participants who BASHED Grace- that’s not acceptable! AND
2- If you want to participate, YOU MUST subscribe first. You can subscribe to to the. Blogathon with Ginnie, Samantha, or me on Twitter or by email- just let us know and we will mark you down!
THE ROSTER AS FOLLOWS
The Flapper Dame: The Bridges at Toko- Ri (1954) and Review of the Novel Meet Me in Monaco by Hazel Gaynor and Heather Webb
August is always a busy month for me personally, but I will always make time to do a Blogathon for really amazing fellow classic film writers, and especially when it’s about a movie I so adore.
The Wizard of Oz (1939) is a special movie that holds a place in my heart. The VHS tape I had as a child became worn out and I remember it was one of the first DVDs my Mom bought way back around 2000. To this day, I still have my Wizard of Oz Barbie set as well as have a replica copy of the original edition of the novel.
My feelings of the Wizard of Oz have remained unchanged since I was a child. Every time I watch Dorothy and her friends navigate their journey to Oz, I fall in love with the film all over again, and rediscover the true meaning of home. Dorothy’s quest to Oz has always been one that I am willing to take over and over, and what makes it fun is the friends she meets along the way. Of course, she already has Toto (her dog- of course!), but I’m talking about her three best friends she comes to love: The Scarecrow, the Tin Man, and The Cowardly Lion. Of all three of these marvelous friends, the one who has held my heart has always been The Scarecrow. Not only is he the first person to tag along with Dorothy to Oz, but throughout the film he is the one who keeps her focused and cheers her up when she’s down.
Part of what draws me to the Scarecrow is the warmth and familiarity Ray Bolger brings to the role- he’s a perfect dancer and you believe he really is wobbly. I can’t imagine Buddy Ebsen as the Scarecrow (or even the Tin Man, Jack Haley is the Tin Man!) because Ray is so flawless. When I was little, I considered Dorothy and The Scarecrow to be a team, while the Lion and Tin Man were the other part of the team- I’m not sure why, but I always saw it that way!
In the Kansas scenes, the farm hand Hunk (The Scarecrow counterpart) was originally meant to be a love interest for Dorothy and hints of their relationship are present in the film, most notably in the Oz goodbye scene. It’s tearful when Dorothy’s saying goodbye to the Tin Man and Lion- but every time I watch her hug the Scarecrow saying, “I’ll miss you most of all”, it gets to me and tugs at my heartstrings without fail!!! The emotion in that scene just breaks the barriers and you really feel the true fondness Ray and Judy had for each other.
One little stand out moment for me between Dorothy and the Scarecrow occurs during the escape from the Witch’s castle when they use the Tin Man’s axe to break down the door. The Scarecrow hands Toto to Dorothy before she hugs anyone- it’s something I have only noticed in recent years, but it’s a detail I have come to adore. The Scarecrow knew Dorothy would be worried sick over Toto and made sure she saw him first. In the past, during this scene I was always focused and obsessed with the red hour glass of the Wicked Witch’s, (to satisfy my obsession my parents bought me a mini hot pink hour glass when I was 5; sadly it cracked!!), but its little details such as these which make their friendship really translate to the audience.
Another major reason I am drawn to the Scarecrow is, when I was little, my Uncle Mike would dance and talk like the Scarecrow for my sister and I. Uncle Mike dance and sang “If I only had a Brain” in a funny manner- and even fell down like the Scarecrow, and when watching the movie, I would always laugh extra hard because I would think back to Uncle Mike’s dance. For me personally, they became connected and to this day they still are. Because I have two Uncle Mikes, I even list Uncle Mike as Uncle Mike (Scarecrow) in my phone. In 2005 when I was going to Disney World for the first time, My Aunt and Uncle bought my sister and I Disney autograph books and they were the first ones to sign them, Uncle Mike naturally signed it as, “The Scarecrow”.
Overall, I can’t honestly say I have a true favorite character from the Wizard of Oz (I mean it’s a bit impossible!!!), but rather I can say The Scarecrow is my “special character”. My “special character” from my “special movie”!
Please click Here to read other posts from Taking Up Room’s Wizard of Oz Blogathon and Thank you so much for hosting this wonderful Blogathon to honor this amazing and timeless film!! Happy 80th Birthday Wizard of Oz!!!!
When it comes to classic movie star leading men, it’s too easy to say I quickly fall for them upon seeing a movie they are in. From Cary Grant, to William Powell, to Clark Gable, to John Wayne- there are so many to adore and admire, and then there’s William Holden. Contrary to my statement above, I actually didn’t fall immediately for Bill.
My first ever William Holden film I saw was Sabrina, and honestly I only wanted to watch because of Audrey Hepburn. I knew Humphrey Bogart from Casablanca (I’d seen in in high school film class) but I didn’t know anything about William Holden. Looking up Sabrina on IMDB, I noticed a lot of reviewers commenting on the chemistry between Audrey and Bill but I didn’t know why- who was this “William Holden” guy and why were people crazy over him? Cut to actually watching the movie- and I did notice the chemistry with Audrey, but I didn’t fall for Bill. I was, however captivated by his deep, raspy, very sexy voice- that I was hooked on, but I didn’t consider him one of “my guys” as I call them.
The next movie on Bill’s filmography I watched was, The Country Girl, but again, I was watching it for another lady, this time Grace Kelly. I was motivated to watch it because it was Grace’s Oscar winning performance. When viewing this film something shifted with the way I saw Bill. His scenes with Grace were pulling me into looking at him, and wondering about his character motives- was he out to sabotage Frank (Bing Crosby) or was he really doing his job as director? Hmm. The scene that changed it all for me was the kiss between Bill and Grace. IT WAS SO ELECTIRCFYING. It came out of no-where and it made me realize that Bill is someone I should notice. His character of Bernie Dodd went from romance to confusion to regret all with seconds- and it was done so quickly yet effective, I’d never seen an actor do that before so brilliantly. From that picture on, it changed the game for me.
With two Holden pictures down, for some reason I didn’t seek out more until Born Yesterday and it was a good 2-3 months after watching The Country Girl. This was really the movie that made me completely “Ga-Ga” over Bill. Two factors overall sealed the deal. One: the elevator scene with Judy Holliday- that just made me completely utterly fall for him. Two- was the fact he was wearing glasses- BILL IN GLASSES IS A GOOD THING. Overall, for me Born Yesterday was the first time I saw Bill being the true romantic lead and right then and there, it made me a fan and admirer of his for life.
In the end, I believe I love William Holden because he was a great human being as well as an amazing actor. He had his demons with alcohol that ultimately, sadly got to him in the end, but he never let that stop him from giving his all to a performance. He never gave a poor performance, even if the movie itself was terrible (Force of Arms being one of them). Lastly, I guess I could mention he is a handsome gentleman (on top of being a conservationist, World War II veteran, Oscar winner- he has good looks too! 😉 ). Whenever we watch a William Holden movie my Mom always makes a point to say, “He was such a handsome man”- right you are Mom, right you are!
It has now been 38 years after his death, and yet he still has legion of fans- including “new” ones like me, who weren’t even on the planet when he died- and that fact alone speaks to why he is so beloved as an actor and as a person. Happy Birthday Mr. Holden!
GINNIE, MICHAELA, and to all the Holden Lovers- Thanks so much for writing and doing this blogathon, and showing Bill some love! Special thanks to Ginnie for inviting me to co-host, its always a pleasure!
Today is day one of three of the 4th Wonderful Golden Boy Blogathon and is also the actual day of William Holden’s Birthday!!!! He is 101 and still is and always will be a handsome man!! Michaela, Ginnie and I have a bunch of awesome entries to present so here we go!
For now I leave you with a gif of a dancing Bill (and Kim Novak) in Picnic!
Happy Birthday, Mr Holden! I hope you know just how much we on Earth still love, admire, respect and adore you and your movies!!!! Actor, Golden Boy, Oscar Winner, Conservationist, Gentleman, First Lieutenant in the US Air Force, World War II veteran- We miss you Bill!! XO – Emily
When choosing a star for this year’s Marathon Stars Blogathon I actually had a hard time choosing a star. Choosing Constance Bennett came to me after I had watched two movies with her in them- by coincidence- and like magic, the choice was clear that Miss Bennett was the Marathon Star for me!
Constance Bennett was an actress who transitioned
successfully from the silent era to the talkies, but sadly had a career decline
once the 1930s were over. Oldest daughter of silent star Richard Bennett and sister
to actresses Joan and Barbara, she was first known in movies for the clothes
she wore, rather than her performances. It wasn’t until her 1937 breakthrough
in Topper (alongside Mr. Cary Grant!)
that made audiences and critics see her acting ability. Prior to this Blogathon,
I had only seen Constance in Topper,
and it was only recently I decided to give the sequels a watch. I then realized,
Wow, Constance is a great actress, and I really want to do the Blogathon- so it
was a perfect opportunity to watch more of her movies!!
For this marathon I watched:
Topper Takes a
The sequel to the smash hit Topper, this movie follows the silly ghost shenanigans of Marion Kirby without husband George. While George has moved on due to his good deed in the previous film, Marion has another chance to prove herself by helping Cosmo Topper (Roland Young) win back his wife (Billie Burke). With a trip to Paris, this movie is every bit delightful as the original and even stars Asta Atlas too!! Personally, it was this movie when I realized Constance can hold her own in a movie, without a being a love interest!
Merrily We Live (1938)
A look at the high-society rich, containing an
all-star cast, this movie is one of those great screwball comedies from the
1930s. The Killbourne family’s matriarch (Billie Burke) is constantly hiring
ex-convicts to be the household servants, and when the previous butler
Grosvenor (Alan Mowbray) steals the silver she then vows to never hire another.
However, when a handsome, yet mysterious man named Rawlins (Brian Aherne) shows
up at the doorstep, the family is so charmed they decide to make him the new
chauffeur!! It gets even crazier when Rawlins falls for eldest daughter Jerry
Sin Takes a
A pre-code in which Constance plays Sylvia, a secretary to Gaylord Stanton (Kenneth MacKenna), a rich divorce attorney, who only has affairs with married women. When Gaylord’s latest gal, Grace (Rita La Roy), says she’ll leave her husband to be with him, Gaylord gives Sylvia a proposition to be married in name only. With Slyvia secretly in love with him, she agrees, and soon after the wedding he sends her alone on a trip to Paris. When in Paris she meets Reggie Durant (Basil Rathbone) and he falls in love with her. But, when Reggie proposes, is Sylvia really willing to divorce her husband?
What Price Hollywood (1932) (slight spoilers)
The prototype to A Star is Born, this movie is a pre code version of the timeless story. However, there are enough differences to make this stand out. While waitressing at the Brown Derby, Mary Evans (Constance) catches the sight of alcoholic director Maximillian Carey (Lowell Sherman), she accompanies him as his date to a movie premiere, and before she knows it, she’s landed herself a screen test for producer Julius Saxe (Gregory Ratoff). While Max is attracted to Mary, he avoids a romance with her fearing his alcoholism will take her down with him. With her newfound fame, Mary catches the eye of polo player Lonny Borden (Neil Hamilton); the two fall in love, and marry despite Max and Julius’s warnings. With fame taking its toll on both their careers, they divorce, and soon Mary is at the top of her game after winning the Academy Award. Her happiness is cut short however after Max commits suicide. With Max’s death plaguing the news, Mary then seeks comfort in her husband and they reconcile.
Ladies in Love (1936)
Three ladies (Constance; Janet Gaynor and Loretta Young) share an apartment and hope to find love and adventure in exotic Budapest. Although the three share an apartment they all wish for something different when Martha (Gaynor) insists they follow gypsy superstition after moving in. Susie (Loretta) wishes for independence and to be a hat shop owner, Yoli (Constance) wants a rich man, and Martha wants it all: the impossible- a home, a man, and kids! Tyrone Power, Don Ameche and Simone Simon also co-star. This film is notable for being the start of the Loretta Young- Tyrone Power film duo.
Looking back, Merrily We Live and What Price Hollywood were stand outs for me! Merrily We Live surpassed my expectations (and was so wonderfully written up by Ginnie in her article!), while What Price was interesting to see what changes and similarities there are to A Star is Born. Sin Takes a Holiday was good- but very slow moving for a 75 minute movie. Constance and Basil had good chemistry but the pacing took forever!! Topper Takes a Trip was in fact so great that I bought it for my collection! Ladies in Love was a bit similar How to Marry a Millionaire in terms of set up and was a film I have never heard of prior to this. It may take another viewing for me to fully appreciate it.
What I do appreciate though is Constance Bennett’s acting. I feel sad that she couldn’t have made the transition like Joan and also have been a Noir Queen- that would have been super cool. Sure she would have looked great in those 40s fashions, but she would have been an even tougher femme fatale! Nonetheless, we have her wonderful movies of the 30s when she was a Queen of the Silver Screen!
Thanks for hosting Ginnie, Crystal and Samantha!!! You’re all super swell!
So for Valentine’s Day 2019 the very sweet and awesome Phyllis Loves Classic Movies is hosting the Meet Cute Blogathon!
There are so many cute “meet cutes” to choose from but I chose to write about the cute meeting of Jean Arthur and Ray Milland in Mitch Leisen’s Easy Living from 1937.
I’m not going to discuss the whole movie (maybe save this for another blogathon!?) but I will write a short sweet post on the scene where Mary (Jean Arthur) meets John Ball Jr (Ray Milland).
In an absolutely classic meeting of two people, they meet in probably the most 20th century setting you can get: The Automat!
When Mary stops by just for a quick meal she gets more than she bargained for when she meets John Ball Jr who just so happens to be the son of JB Ball: the third richest banker in America (who is played by Edward Arnold- Jean and his character meet in the beginning of the film).
What is adorable about the two meeting is Mary just thinking John is a regular ol’ worker, but in reality John is working undercover in an effort to be independent from his father. Mary 100% buys into John’s story and she invites him to stay in her luxurious suite while he looks for a job.
When the two leave the automat its for certain to say they each have fallen for each other! And for the others at the automat, well they just fall down in a hysterical sequence that makes us all wish we had this much fun while eating out.
For the rest of the film: there’s a bunch of cute scenes between them- and personally I wish Jean and Ray made another film together because they have natural chemistry- and for Jean Arthur that’s major, as she was a shy actress who sometimes had trouble playing scenes with her leading men.
What I will say is further hilarity ensures and includes a funny scene of the two trying to turn off multiple shower heads!
If you adored the scene above I hope you tune into the whole movie the next time it pops up on TCM! Its a legitimately under rated screwball comedy from its era and every time I watch it, I wish I could be lucky to meet someone in an automat!
Happy Valentine’s Day everyone! and Don’t forget to “meet” the other “cute” entries in the link above!
February 2019 kicks off with the Fondathon hosted by the cool blog Sat in Your Lap and I had to write for this one because my love for Henry Fonda started when I was very young. However, instead of writing about my love for the movie that made me love him, I decided to write a piece about a film that is an oddball with still great performances: 1942’s The Big Street co-starring Lucille Ball.
The Big Street is based off a short story called Little Pinks, which is the nickname for Henry Fonda’s character (real name Augustus Pinkerton II). The plot is a bit looney: demanding showgirl Gloria Lyons (Lucy) becomes paralyzed after her nightclub owner boyfriend Case Ables (Barton Maclane) pushes her down a flight of stairs after a show. Left with no money after medical expenses, she then relies on busboy Pinks to take care of her.
Pinks takes care of her out of the goodness of his heart and even though he is treated poorly by Gloria- he never wavers to be there for her. He even calls Gloria “Her Highness” when attending to her and his devotion goes so far as to push Gloria in her wheelchair from New York to Florida- that’s right, push her wheelchair– so she can recuperate in better weather.
Now reading what I just said, some of you may think, “who wants to watch Henry Fonda be treated like a slave and put up with it“, however, I believe below the surface there’s a lot of depth to the characters of Gloria and Pinks; and that this movie proves Lucille Ball is a real actress- as her character is so unlikable.
I truly can see in this movie that Gloria does care for and may even like Pinks- in a very, very elementary-school I like you but am too proud to say it way. Gloria is a showgirl, and has that attitude of one. Pinks is a humble busboy and shows undying loyalty. The best example of this is when after he leaves Gloria’s service to return to being a busboy once in Florida he rushes back to her side once she becomes seriously ill.
In all honesty- I’m not even sure what makes this movie watchable, but it is. Maybe its the character actor supporting cast (including Agnes Moorhead), or maybe Henry Fonda saves the day with devotion and adorableness. Personally, for me, what makes it worth watching is the chemistry that is evident between Ball and Fonda- it’s what made me want to see this one in the first place. Its not like the connection in Yours, Mine, and Ours (their 1968 reunion film) but there is something between them that is so clearly present in their scenes together- no matter how badly Pinks is being treated. (NOTE: I’m not sure if this is due to the fact they dated before this movie was made- but I think it’s evident Fonda still had a crush on her in real life)
All in all- the film does deliver with good performances and is worth checking out- even once. And when all is said and done- it’s young Henry Fonda- and that’s always worth a watch!
When it comes to Barbara Stanwyck, I came to like her by “accident” in the sense I never set out to say, “I’m gonna see her films!” I came to discover her though other actors she worked with and then kind of sat back and thought, “Wow! Barbara Stanwyck really is amazing” or, “I came for this actor but hey, Barbara Stanwyck caught my eye too.”
Remember the Night (1940) was the very second Barbara Stanwyck picture I saw, (the first being Double Indemnity (1944)), and honestly, I wanted to watch it because of Fred MacMurray. With that being said, the exact scenario I just described above then happened when I watched this film- Barbara Stanwyck with her talent and effortless performance caught my eye.
Recently, I was discussing Remember the Night with one of my high school teachers I keep in touch with and it made me come to the conclusion this film is actually a strange blending of genres that works really well. Its part Christmas classic, screwball, but also part melodrama, and dare I say even a little bit dark.
Obviously this movie is very Christmas-y, as the whole movie
is kick started by it. The movie starts off with Lee Leander (Stany) stealing a
bracelet, cutting to a trial with Jack Sargent (Fred) as the prosecutor.
However, due to the Christmas season, the trial is postponed. When Jack learns
Lee is also a Hoosier, he offers to drop her off at her Mother’s home on the
way to his family.
The screwball part comes into play when they are driving and get lost. There’s also a cute cow milking scene, but the screwball scene soon comes to an end when the pair actually arrive at her Mother’s house. Upon arriving, they learn her Mother has remarried and has cut off her daughter, never wanting to see her again.
Heartbroken, Lee is then taken home by Jack and spends
Christmas with his family (with Beulah Bondi playing his Mom and Elizabeth
Patterson as his Aunt). From this point on the film mainly is a melodrama. Christmas
plays out, as well as the aftermath of Lee and Jack falling in love. It all
leads up to a somewhat unsatisfying ending; that despite its loose ends still
makes us watch this movie over and over again. (I don’t want to spoil this
ending!! It’s something the viewer should watch for themselves)
As I brought up, Miss Stanwyck is just remarkable in this film. I almost take her performance for granted and especially when she has Mr. Fred MacMurray as her leading man; there’s just something that makes them an extremely appealing screen couple. Its unexpected, the two of them together as a couple, but it just works. I don’t think Fred was ever more believable as a man falling in love than when he was with Barbara Stanwyck.
Wrapping up, I will leave you with the trailer- and going back to my original assessment, even it makes you wonder just what type of film they were trying to market.
I cannot think of a better way to start 2019 blogging, as I am more than thrilled to help Crystal of In the Good old Days of Classic Hollywood and Robin of Pop Culture Reverie celebrate the motion pictures made in the year 1938. Speaking on a personal level, I say the films of 1938 certainly rival the ones made in 1939. 1938 has a slew of great movies in itself and its about time we recognize the year’s legacy in film history.
For this blogathon, I chose to pay tribute to a wonderful non-dancing Ginger Rogers picture made at RKO, Vivacious Lady, produced and directed by George Stevens; co-starring James Stewart in one of his first roles as a leading man.
Vivacious Lady is a wonderful often overlooked screwball gem. Its got a plot we all are familiar with- Girl (Francey) and Boy (Professor Peter Morgan) meet, get married on a whim, and afterwards have trouble finding alone time!
For Ginger, this part was the role she had been looking for to prove herself as a straight comedic actress, she was without Fred Astaire, there were no elaborate dance or singing numbers. Whereas for James Stewart, it gave him exposure to audiences as the leading man. Up until this point he had been a supporting player, playing everything from Jean Harlow’s boyfriend in Wife vs Secretary to After the Thin Man’s “Bad Guy”- but this role elevated him to the roles he was meant to be playing.
This movie benefits from their genuine chemistry and during production although the two were NOT dating Jimmy and Ginger did date closer to 1940, ending sometime when Jimmy went to war.
Not to be ignored are the immaculate supporting cast of character actors: Beulah Bondi and Charles Coburn as Peter’s parents, James Ellison as cousin Keith and Francis Mercer as Helen, the ex-fiancee.
The stand out scene of the movie occurs with Francey and Keith teaching Mrs. Morgan how to dance “The Big Apple”- and then Mr. Morgan walks in on the lesson! The expression on Charles Coburn’s face makes me laugh every time!!
However, the funniest part comes when Francey and Helen have perhaps one of the first girl v girl cat-fight in the movies- remember this movie pre- dates The Women!
The scene is so hysterical without being over the top- its basically sheer perfection! Ginger recalls in her autobiography (Ginger: My Story) the fight, “was choreographed as carefully as any ballet“, and all of its humor came down to George Stevens’ editing.
In all retrospect, 1938 was a turning point for both Jimmy and Ginger- even though they never made another film together. Jimmy of course was on his way to being the star we know today, starring in You Can’t Take it With You later that year. Ginger made Carefree with Fred Astaire and Having Wonderful Time and was moving towards a solo career.
As for George Stevens, he was in the middle of his Hollywood career with not only war documentaries ahead of him, but also many legendary productions as well including Woman of the Year, Shane, and Giant.
Click here to check out TCM’s page on Vivacious Lady and to look for upcoming airdates!
In some ways, The Undefeated (1969) ever-so-slightly reminds me of The Horse Soldiers (1959). The casting of two major actors, the civil war era backdrop, as well as the two leads coming together to fight the common enemy.
An aspect audiences may find interesting about this film is its main point of focus is about a historical event many probably do not even know about- the Austrian intervention in Mexico, when Archduke Maximillian was deemed Emperor of Mexico on the behalf of French Emperor Napoleon III. The film loosely follows the true story of Confederate General James Orville Shelby’s escape to Mexico in an attempt to join the Austrian forces. The name of the movie is taken from a famous poem written about Shelby and his men’s efforts.
The Undefeated sees John Wayne as Union Colonel John Henry Thomas and Rock Hudson as Confederate Colonel James Langdon. After the end of the civil war, Langdon feels defeated and along with his men, plan to flee to Mexico to join the French-Austrian recruits in the invasion of Mexico and their president Benito Juarez. Thomas is also on his way to Mexico along with his adopted Indian son (Roman Gabriel) and 3000 horses to sell them to the French Austrian forces. Naturally the two parties cross paths, and after settling their differences and making their way, join forces to defeat Juarez’s Mexican forces that threaten them both.
It’s a standard later John Wayne western, and even though it may not rank as one of the “Best western” movies, it still is worth watching for all of the great actors (Ben Johnson, Dub Taylor for starters) in the story. Mr. Hudson referred to this movie as, “crap”, but I think anyone watching today would consider it good- especially when there are no westerns made like this anymore.
In today’s terms, The Undefeated is almost a forgotten film on both Wayne and Hudson’s filmographies. John Wayne had his great role as Rooster Cogburn in the year’s True Grit and for Rock Hudson there were no big roles for him around this time; it really was towards the end of his film career, before making a transition to TV.
The Undefeated gave Hudson a real chance to shine. In his role of Colonel Langdon Hudson he gets to prove he can do a convincing southern accent. I immediately compared it to Pillow Talk (1959) when he was able to do a phony Texas accent when one was called for it. Hudson giving a convincing accent in this movie just proves the way in which he approached his characters and the way he gave them a genuine believability.
In all honesty, I probably have to watch this film again in order to really catch the details- it’s a bit long at just under 2 hours, but really enjoyable even if its not my personal favorite. After all- John Wayne made this movie even when he was in extreme pain for tearing his shoulder ligaments- and for that alone it should be an appreciated piece !!!