Blogger Recognition / Sunshine Award

I’d like to give a massive thank-you to Rebecca of Taking Up Room for nominating me for the Sunshine and the Blogger Recognition award. I really don’t like chain awards (or emails), but decided to answer the questions for fun!! I believe she nominated me for both, so I will be answering the questions for both.

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sunshine-blogger-award

The Blogger Recognition Award rules are:

  1. Thank the blogger who nominated you and include a link to their blog.
  2.  Post the award banner on your blog.
  3.  Share the reason you started your blog.
  4. Share two pieces of advice for new bloggers.
  5. Nominate a maximum of 15 other bloggers.
  6. Tell your nominees about the award post, so they can participate.

While the Sunshine Blogger Rules are:

  • Thank the blogger who nominated you in the blog post and link back to their blog.
  • Answer the 11 questions the blogger asked you.
  • Nominate 11 new blogs to receive the award and write them 11 new questions.
  • List the rules and display the Sunshine Blogger Award logo in your post and/or on your blog.

I wanted to do a film blog so I could immerse myself in the world of film and learn so much from others. It’s a great way to be in the world, even if you don’t formally play a part of it!
Advice- First, blog about what you like and put your own voice in your writing. Also secondly, remember the internet is not your life, don’t be afraid to take a break. The internet will be there when you get back on.
Now the 11 Questions:
1- What’s your hope for 2021? For the world to be more peaceful. To find happiness in the craziness.
2- What helped you stay sane in 2020? Music. It’s the most powerful force in the world!
3- Are there any movies you’re looking forward to this year? No, nothing is catching my interest. In 2021, I declare writers are out of ideas, and its sad! I may, and major emphasis on may, watch The Kingsman as it’s a prequel.
4- You can visit any five celebrity homes from any era. Which ones would you pick? Cary Grant, Grace Kelly, John Wayne, Colin Firth, and William Holden.
5- You’re about to hike the Pacific Crest Trail. What, if anything, would you take that the experts might frown on? I would not go hiking! I don’t hike!
6- Who are your three favorite film critics and why? Robert Osborne: he’s balanced and very personable; I miss him on TCM.  Peter Bogdanovich, he may be slightly weird, but knows a ton about John Ford. Lastly, probably Leonard Maltin, as he just appears everywhere!
7-When you’re watching stuff other than movies, do you prefer YouTube and streaming services or traditional broadcast TV? I will watch YouTube or traditional broadcast TV. Actually I prefer to own TV shows I like, you then never have to hunt down a streaming service . I want to try to cut down on watching new TV shows because it’s time consuming and there isn’t anything that looks worthwhile at the moment.
8- If you could adapt a TV show into a movie, which one would you pick and why? A Place to Call Home– it deserves to be a movie!
9-Which film prop or costume would you most like to own? Dorothy’s ruby slippers!
10- Who is your favorite movie or TV couple? Your least favorite? Favorite is DJ and Steve on Full House: childhood! My least favorite: Mary Queen of Scots and Prince Conde on Reign: It wasn’t even historically accurate and a major factor of why season 2 of the show absolutely sucked.
11-What was the last album you listened to? Kiss: Asylum (1985) 

Thanks for the nomination! And in 2021, I hope to do more blogathons, original posts and more!

Movie Theater Memories

With the recent news that Warner Brothers is sending all releases to streaming on the same day as theaters, many fear this is the death of movie theaters as we know it. One can argue theaters have been dying a slow death for many years, but considering theaters have survived television, VHS/ DVD, and the arrival of streaming, it really got me thinking: what if this turns out to be the final hurdle? Furthermore, got me remembering the movies I saw as a kid, and the movies I went to see with my friends in middle/ high school. I then realized what a build up these outings were. Everything from seeing the trailer on tv, and waiting for it to be on again (the days before YouTube!), to planning which showing and then going.

Imagine having to wait to see this again on TV


It also got me reflecting: I’m part of a generation that got to grow up with going to theaters, and I may be part of the last generation. While I don’t want movie theaters to die, I can say the experience is not what it used to be. I really didn’t start to notice this until maybe high school, as when I was little the only things you had to worry about were talkers, and people kicking your seat. The real turning point came for me in 9th grade (Spring 2011) when a friend and I went to see Soul Surfer; for half the film, she was texting another friend. It wasn’t pleasant sitting next to a glowing phone light

As I write this now, Downton Abbey (2019) is the last NEW film I saw in theaters. I saw it as a pre-release on the same day as the UK release, which was about a week earlier than the American release. Due to the fact the theater was full of hardcore Downton fans, it was the best viewing experience I’ve had in years. We all were “ooohhh”-ing when Mosley served in the dining room, we all laughed at Violet’s quick and witty comebacks, and most of all it was an experience viewing with like minded people. No one was on their phone, talking or being rude, we were all watching.
Overall, the final film I saw in a movie theater was a screening of The Thin Man at the Tivoli Theater in Downers Grove IL. And it, like Downton, was an event viewing. I had the privilege of attending the film with family friends of mine- my family and their family went together and it was just a happy event. We all are classic movie fans, and it was just special to view the film with fellow fans.
If The Thin Man turns out to be the final movie I ever see in a theater, then I can say I’m pretty damn proud of that. It doesn’t get much better than Bill Powell and Myrna Loy sleuthing and flirting onscreen with each other.


In all honesty, I’m not saying I will never go back to a theater ever again, but I can say I believe I wont be going as frequently as I did as a kid/ teen. I personally have a list of classic films I hope one day I get to view on the big screen and I hope to get the opportunity to view The Shootist,  Sunset Boulevard, The Awful Truth and so many more. 

Until that happens, for the time being, I decided to reflect on my cinematic experience so far. I present to you some highlights of my life at the theater:

• I saw Monsters Inc 5 times in the theaters as a kid, and Finding Nemo 3 times.
Lilo and Stitch was the first Disney animated movie I saw in theaters.
• The first movie I saw without my parents or any adult, was 17 Again (2009), I went opening weekend on the ultra screen with a friend. I was 12.
• June 2007, I was 10 almost 11, my Mom, sister, and I saw Pirates of the Caribbean: At World’s End (my first Pirates movie on the big screen). I thought I was super cool because the movie was PG-13, and I was 10.
• I saw 3 John Wayne movies (The Searchers, The Quiet Man, True Grit) and 3 Cary Grant movies (The Philadelphia Story, An Affair to Remember, Charade).
• I saw 1 Hitchcock film: Rear Window.
• In late summer 2004, I was just starting 3rd grade and on a school night (major event on a school night!), my sister and I with a group of friends (and our moms) went to see Princess Diaries 2.
• A film I regret seeing on the big screen was a kid’s movie, Over the Hedge, I found it incredibly pointless and stupid, but was forced to see it, as a Girl Scout “outing”.  The troop went out for pizza afterwards, and I pretended I enjoyed the movie so I wouldn’t be called snobbish or boring.
• The only film I saw opening DAY: Pirates of the Caribbean: Dead Men Tell No Tales (2017). It was the first as well as the last film I will ever see on opening day.
• I remember The King’s Speech being in theaters in 9th grade, and having a major interest in wanting to see it. Due to the R rating, I couldn’t go see it with friends, and my Mom wasn’t up for going, so I missed out.
• I went to see Lincoln when I was in 11th grade for extra credit in APUSH. Easiest extra credit ever. All we had was to show the ticket stub, we didn’t even need a write up! 

With all my heart I hope I will be able to make new memories at the movie theater. Check out my Instagram post below for some pics!

5 Films I don’t care for even though a “favorite” stars in them.

Like many of you who love classic movies, I’m willing to try movies that aren’t as popular on a certain actor or actress’s resume. For instance, I love the movie, A Lady Takes a Chance, (1943) with John Wayne and Jean Arthur; its not one of Duke’s “essentials”, but its a sweet story that makes for a hidden gem of a lesser known film of his. By the same token, there are certain films with my favorite actors/ actress that I cannot watch. Every performer is bound to have a flop (or four!) within their career, and I mean everyone, even Cary Grant, had them! Read on to learn 5 movies I can’t get into despite the fact one of my favorite stars is in the lead role!

Dream Wife - Wikipedia
Let’s dream Cary never made this!

1: Dream Wife (1953, Cary Grant, Deborah Kerr)- I told you Cary Grant has a flop on his filmography! In an extremely poorly aged plot, Dream Wife, co-stars Deborah Kerr as Cary’s diplomat girlfriend Effie who puts work above all, including her romance with Clemson Reade (Cary). Clemson is tired of waiting for an official engagement, so he instead marries a more traditionally minded Middle Eastern Princess. I’m not saying Cary can’t play against type, but this character Clemson Reade is such a jerk, you can’t blame Effie for putting her job over her love life! I watched this with my Mom and we were both embarrassed to see Cary play such a terrible role in a terrible film. Watch An Affair to Remember (1957) if you want something truly heartfelt and romantic!

Force of Arms - Wikipedia
Still love ya, Bill, even though you starred in this flick

2: Force of Arms (1951, William Holden, Nancy Olson)- I love William Holden, I love him so much I call him my “screen boyfriend” (OK, I have a few screen boyfriends, but Bill’s pic is on my wall), but this film is just terrible. It has horrible camera work, a forgettable and badly paced plot, and worst of all, it fails to capture what could have been a great romance for the two leads. Perhaps it was the odd combo of war vs romance, as the battle sequences were not naturally paced against the romance, going on for too long. The flick was later reissued under the title, A Girl for Joe, and it didn’t do anything to help matters!

The Girl He Left Behind
Its OK to leave this film behind!

3: The Girl He Left Behind (1956, Natalie Wood, Tab Hunter)- This movie is very forgettable and you can’t even enjoy Tab Hunter’s character because he has no redeeming qualities. Tab plays a spoiled rich brat who is drafted into the army. The film then follows his struggles of being knocked down a peg while in bootcamp, and his girlfriend, Susan (Natalie) coping with him being away. I’m ok with characters being jerks, however, they must have a likable quality about them, and this script didn’t provide that for Tab’s character. The pacing is also terrible creating a downright boring viewing experience. Natalie Wood, of course, is the main reason any of us attempt to watch this movie, but really, thankfully, we can look elsewhere to see her in a good movie. James Garner also had a small part in this film and later wrote in his memoirs, “the film was awful and I was awful.”

The Fighting Kentuckian - Wikipedia
Duke was in this movie?

4: The Fighting Kentuckian (1949, John Wayne, Vera Raltson) John Wayne plays militiaman John Breen coming home from the War of 1812 and falls in love with a French lady Fleurette De Marchand (Vera Raltson). Conflict arises when a greedy landowner plans to steal Fleurette’s land, leading Breen to ally with the other settlers. This is one of the Duke’s lesser known films, and it is billed that way for a reason. There’s really one one reason this film flopped: his leading lady, Vera Ralston, can’t act. Vera was a pro figure skater and girlfriend of Herbert Yates, chief of Republic Pictures. Wayne later recalled he was forced to use Vera as his leading lady and (rightfully) blamed her for the picture’s failure.

The Girl from Missouri poster.jpg
Classic Harlow look, not so classic Harlow character

5: The Girl from Missouri (1934, Jean Harlow, Lionel Barrymore, Franchot Tone) Jean Harlow is such a darling and I adore her, but this movie can’t be saved by her presence. In this movie, Jean plays a girl looking for love and marriage rather than just a quick fling. While I think Jean could pull off that character, (as she was capable of playing it, she’s so talented!), it instead just feels boring watching her. I partially believe the film’s poor plot and strange character actions are due to the production code being heavily enforced. Had this film been released just months earlier, it would have been better and considered a fun pre-code. On a personal note, I don’t believe Jean and Franchot Tone had good chemistry, so it makes it hard to root for their romance, but that’s just my opinion!

AND there you have it! There are just a sampling of movies that are not for me, although they do contain actors I’m devoted to! Of course these are just my point of view about these features, and if you personally happen to love them, that’s fine and dandy too! Do you have any films of favorite actors you just can’t watch? Moreover, it makes it more interesting too, when you don’t enjoy a movie a certain actor is noted for. No matter, its all in fair opinion, and what makes talking and blogging about movies all the more amusing!

Intermezzo (1939)

This entry is for Ginnie’s 5th Wonderful Ingrid Bergman Blogathon! Make sure to check out the other posts! (This article contains slight spoilers for Intermezzo 1939)

The 1939 American remake of the original 1936 Swedish film, Intermezzo, is significant for a few different reasons. First off, it was the American screen debut of Ingrid Bergman and secondly, it swayed leading man Leslie Howard to take the role of Ashley in Gone with the Wind (David O Selznick promised Howard the title of “Producer” for Intermezzo, for playing Ashley).

Intermezzo Poster

Intermezzo is similar to other stories of infidelity that played out in cinema at the time. Holger (Leslie), a married man with a son and daughter, falls unexpectedly in love with a beautiful woman, Anita (Ingrid). Torn between his wife, Margit (Edna Best), and family and the woman he has a love affair with, complications arise. It gets even more layered when Anita is the piano teacher to Holger’s daughter Ann Marie (Ann Todd), making Anita’s interaction with his family unavoidable.

Intermezzo'' 1939 | Ingrid Bergman, Leslie Howard | FILM~LIEBHABER | Flickr
(flickr) Howard and Bergman- Talent in a photo

Even though the basic plot is as old as storytelling itself, I truly believe it’s the natural connection Leslie and Ingrid have together that makes this film unforgettable. As a viewer, you care about the happiness of Ingrid and Leslie’s characters. You want them to be together no matter the difficulties they encounter. However at the same time, I personally believe because they don’t end up together, that’s what makes this film endure. Their passion leaves you longing for them and wishing this time you watch, they’ll be together!

I find it peculiar, at the time of release, many people thought Ingrid was speaking broken English throughout the movie, unable to understand her. I think that’s absolutely a weird thought, as she’s just speaking the way she speaks. Granted she was learning English, but there’s nothing wrong with her voice, its wonderful, it’s just Ingrid!

Intermezzo: A Love Story (1939) | Ingrid Bergman (1915-1982)… | Flickr
How could they think THIS BEAUTY needed tons of make-up?

Repeating a film role I think might have been tiring for Ingrid, given her quest to be a diverse actress always wanting different parts. Yet, on the flip side, it must have been extremely exciting for her to be making an American film. Even if she wasn’t completely content with repeating the part, she doesn’t give one inkling in her performance that this version was boring for her. Perhaps working in a new country, with new actors and crew members made an old role refreshing and exciting for her. I think that aspect is what really shines through in her acting in this film.

With Leslie Howard in a main role, as a true leading man, when I was younger I didnt see his appeal. I initially believed he was weird looking. Now watching him as I’m older, I get his appeal, as his personality and stage presence makes him a great leading man. I still don’t think he’s the most handsome, but its really the way he connects with his leading ladies and plays all types of scenes with such dignity that makes him truly amazing.  With Intermezzo you really get an understanding of Leslie as a leading man, even better than you do in Gone with the Wind, as here is THE leading man, not a supporting player.

Overall, Intermezzo may be overshadowed in Ingrid’s career due to the films that were to come for her. She went on to make a boatload of iconic films, and I feel sometimes this one gets lost in the shuffle, sadly. We can look at all her performances in Hollywood,  and they are so incredible, but we cant forget where her American career started, and re-watching Intermezzo should be a reminder for us all that she was already so delightful right from the get go. 

Intermezzo: A Love Story (1939) | Starring Leslie Howard & I… | Flickr
Ingrid was experienced but a newbie to Americans! No name above the title for her… YET!

Broadway Blogthon- Rent (2005)

RENT is a rock musical with the lyrics and music written by ...

Thanks to Taking up Room for hosting the Broadway Bound Blogathon and Check out the other posts!

Rent the musical may start off as a bunch of bohemian friends struggling to make ends meet, but beneath it all, it’s truly a human story about love, loss, and life.
Based on a 1896 play called La Boheme, Rent is not only Jonathan Larson’s sole work, but his life’s legacy.
The musical Rent has been around as long as I have, since 1996. However, the musical didn’t come into my life until the film version was made in 2005. The film version has 6 of the 8 principles from Broadway with only the Mimi and Joanne characters being recast.

The film, for the most part, is faithful to the play, with only the removal of one song (Contact), and much of the narration from the script was turned into dialogue. Rent begins on Christmas Eve 1989, with filmmaker Mark (Anthony Rapp) and his best friend, musician Roger (Adam Pascal) struggling to light and heat their apartment. Mark is getting over his ex-girlfriend, Maureen (Idina Menzel) leaving him for a lawyer, Joanne (Tracie Thoms), while Roger is coming off of half a year’s withdrawal. Roger is also struggling with his HIV positive diagnosis, and the death of his girlfriend, April. Meanwhile the guys pal, college teacher, Tom Collins (Jesse L Martin) is back in town and their landlord/ former friend, Benny (Taye Diggs) is about to turn of their power, demanding they pay last year’s rent after letting them slide.

They ARE NOT Gonna pay RENT!

On the way to the apartment, Collins is beat down, only to be helped back on his feet by street drummer and drag queen Angel (Wilson Jermaine Heredia). Its also on this Christmas Eve, Roger meets his neighbor, exotic dancer Mimi (Rosario Dawson), who like him (and also Angel and Collins) is HIV positive.

From here on out, the narrative follows the group of friends for a year in their life.

Tonight's Movie: Rent | The Love Pirate
The famous La Boheme scene! Note: Poor Mark!


The film itself is very long for a musical movie, over 2 hours, but in reality it goes extremely fast due to its soundtrack. Some songs flow straight into each other, such as One Song Glory going into Light My Candle.

I have fond memories of just listening to the soundtrack in the car over and over again as we drove from my hometown in IL to Hammond, IN where my grandparents lived. My family and I would go over every weekend, and we practiced that routine for two years from 2005-2007. Needless to say I learned the soundtrack really quickly. I sang along in my head to all the tunes- even if maybe the lyrics weren’t suited for a 9-11 year old. My favorite song was most certainly “What You Own”, and Adam Pascal’s heartfelt “One Song Glory”. In fact, all because of Adam Pascal’s voice I developed a crush on him. I didn’t even know what he physically looked like, I just knew I had a crush on him regardless. When I finally saw his picture in a Rent book, I was a bit shocked at his appearance, but I didn’t care, I was just happy to match his voice to his face.

Adam Pascal as Roger in RENT | Rent musical, School of rock ...
Adam as Roger. At age 9, I had a super crush… on his voice!


I find it to be a striking parallel Rent came into my life at a time of personal loss. My Grandma unexpectedly passed away at the end of 2005, and all of a sudden, the constant soundtrack in my life were songs about “measuring life in love” and living life without specific people in it. Looking back I can say the soundtrack was certainly part of the healing process, and perfectly captured what I and my family were feeling.
Today I feel the Rent soundtrack is very much embedded in my soundtrack of life. I think it’s got the catchiest songs and once they enter your life, they don’t leave your life. Rent will forever be a relatable and emphatical story because it’s a human story with universal appeal.
Especially in today’s new world, its crucial to keep in mind the values Rent teaches us: no day but today

ANTHONY AND ADAM: MAGIC!!

2018 Classic Movie Day- 5 50’s Films

50's Blogathon

In Honor of National Classic Movie Day this year Classic Film and TV cafe is doing a theme of choosing 5 classic films from the 50s. Personally, I consider the 1950s the last true “classic” decade for movies as it all changed during the 60s. Without further ado, my choices (in chronological order) are as follows:

The Quiet Man (1952)- My favorite (non-western) John Wayne movie! I recently saw it in a theater setting in March; it was spectacular! (It really is more romantic on the big screen btw!!!)

Poster - Quiet Man, The 01.jpg

Gentlemen Prefer Blondes (1953)- J’adore this film! Every song on the soundtrack, the sparkling costumes, and Jane and Marilyn together are just perfection! Who doesn’t want to be a “Little girl from Little Rock” and believe that “Diamonds are a girl’s best friend”?

Gentlemen Prefer Blondes (1953) film poster.jpg

Roman Holiday (1953)- Audrey and Greg are so wonderful!!! And no one but Audrey can be that perfect in a Hollywood debut!

Roman Holiday poster.png

Rear Window (1954)- You gotta have a Hitchcock! This is one of my favorite movies of all time and it was not only my first Hitch film, but one of my first “Classic Hollywood” movies in general. (Grace Kelly is my favorite so I had to include it!!)

Image result for rear window

Sleeping Beauty (1959)- I have loved this film since childhood. Princess Aurora is my second favorite Disney Princess, but she was one of the first that I ever saw on screen. The storyline and characterizations may suffer a bit, but the music and the cinematic look of this movie is just a masterpiece!! Sad that its Disney’s last fairy tale he actually worked on.

Sleeping beauty disney.jpg

And because I am gonna cheat a little bit here are 5 runners up (to complete a top 10): Sunset Blvd (1950), Niagara (1953), Mister Roberts (1955), Lady and the Tramp (1955), An Affair to Remember (1957).

I really loved doing this little post because its an ,”easy task”, but a hard decision!! I’m off to read all of your posts!!! Happy Classic Movie Day everyone!!

(All movie posters from WIKIPEDIA)

Strait Jacket- Joan Crawford Queen of the Screen

When it comes to Joan Crawford, I may not be a major fan of hers, but do believe she had a major staying power in Hollywood that few others processed. I admire her determination and have warmed up to some of her movies, with me being able to appreciate her as an actress, so I didn’t pass up the opportunity to participate in Pale Writer and Poppity Talks Classic films Joan Crawford Queen of the Screen blogathon!

Screen Shot 2019-01-04 at 10.52.24

Unlike most classic Hollywood fans, I first learned of Strait Jacket though the FX Feud 2017 miniseries. I saw the side by side comparison on YouTube shortly after and really applauded the way they were able to replicate the trailer so accurately. However, that wasn’t enough to get me to watch the movie.

Fast forward two years later and I see it playing on TCM, so I decided to DVR it and give it a shot. Initially, I thought it would be just something super campy, embarrassing, and laughable- but I was gladly proven wrong, as this movie really blew me away with its suspense and acting.

Side by side comparison- its pretty cool!

Strait Jacket is basically the movie Joan did in place of Hush, Hush Sweet Charlotte (after she was replaced by Olivia de Hallivand) and I enjoyed it more than Charlotte. Joan stars as Lucy, a woman who after axe-murdering her husband and his lover, spends 20 years in a mental asylum. Lucy’s daughter Carol (Diane Baker) witnessed the murder, and she then is sent to live with Lucy’s brother, Bill and his wife, Emily (Leif Erikson and Rochelle Hudson).

Rsz strait-jacketposter.jpg
(wikipedia) The warning note was a heavy marketing tool

Directed by William Castle, this flick picks up when Lucy is released from the hospital and reunited with Carol. Carol is happy to have her Mom back again, and treats to her to a new dress, bracelets, and a wig- to make her feel 20 years younger. This all backfires however, when Lucy starts flirting with Carol’s fiancé, Michael Fields (John Anthony Hayes).

It gets even more twisted when a series of axe-murders start occurring again, and Bill and Carol suspect Lucy should be re-admitted to the mental asylum.

Related image
(Joancrawfordbest.com) Joan believed so much in this project she participated in a national press tour to promote it

The actual twist is somewhat predictable, yet when it’s revealed, it’s still a lot to process with the whole backstory. I really can’t describe anymore plot without spoiling everything- but I will admit I was shocked by the final axe-murder victim, as well as the climactic reveal sequence.  

Image result for strait jacket 1964
(Imdb) Stunning visuals!

Overall, this movie is what I described earlier- campy and laughable- but it has solid performances that allows it to be likable. Joan is over the top – but is so brilliant at being so, that you end up being impressed by it. The axe murders by today’s standards are nothing scary- but are impressive, from the sound effect (chopping of a watermelon) to the visuals. And of course what makes this movie really work and stand out from other B-pictures of the era has to be the right amount of camp- from the opening title visuals to the scene with Joan lighting her cigarette on the turntable- it’s all in the name of entertainment.

Image result for joan crawford strait jacket cigarette
A true Queen of the Screen

And of course– I have to mention because this is Joan Crawford- Pepsi even has a cameo appearance. There is even blink and miss it scene with Mitchell Cox, the then-VP of Pepsi playing Lucy’s doctor.   

1964. 'Strait-Jacket.' With Diane Baker and Pepsi.
(JoanCrawfordbest.com)

CLICK HERE to buy Strait Jacket on Blu Ray from Amazon!

The Glass Bottom Boat (1966)

To celebrate Ms. Doris Day’s 97th birthday, Michaela of Love Letters to Old Hollywood is hosting the Third Doris Day Blogathon and I couldn’t pass up this opportunity to write about the 1966 rom-com The Glass Bottom Boat starring Doris and Rod Taylor (reuniting with Doris after 1965’s Do Not Disturb).

Image result for rod taylor the glass bottom boat
(via TCM)

Also starring Paul Lynde, Dom DeLuise, Edward Andrews, Alice Pearce, and George Tobias, The Glass Bottom Boat is a product of its time. It sees Doris playing Jennifer Nelson- who works part time as a mermaid for her Dad’s (Arthur Godfrey) glass-bottom boat tourist operation. One day while swimming on the job, she meets Bruce Templeton (Rod) when he accidentally snags her mermaid tail with his fishing rod! When they meet, Jennifer realizes Bruce also works at the Aero-Space lab where she works as a secretary. Bruce commissions Jennifer to write his life story (and so they can spend more time together!), but when she starts her work of following Bruce around (for the book), the security chief at the lab suspect she’s really a spy! Its then up to Jennifer to convince everyone she is not a spy- in order to catch the real spy!

Image result for doris day the glass bottom boat
(from Dorisday.net)

Just from reading other people’s reviews, this is an entry on Doris Day’s filmography that seems to divide fans. Personally, I enjoy it and do appreciate for what it is. I realize it’s not the most essential film Doris made- but it is funny, there’s the cute scene of Jennifer “walking” her dog while she’s at work, and there’s even a touch of physical comedy. The opening song is so catchy and the main titles are so colorful- which are very much a time capsule of 1960s graphics; anyone else think they are vastly overlooked!? But main thing about this flick I really adore is the chemistry between Doris and Rod- it is so magnetic! In fact, if another actor had been cast alongside her, I don’t think this movie would be enjoyable at all.

The opening credits! Love those graphics!

With that being said, I do understand why some people don’t like this movie. For starters, despite the fact the film is only 110 minutes, towards the end it does begin to drag. Secondly, the plot is not very convincing and there are some elements that have aged poorly- space age, Russian spies, some of the jokes and comedy gags.

Whatever you may think of this film, I can declare the under-rated thing about it is trying to explain it to someone due to the topics they combined to make it. You’ve got NASA, and the space factors combined with Doris working as a mermaid. Mix that with the handsomeness of Rod Taylor for a good romance and the wonderful comedic timing that Doris has and you’ve got yourself one genuine 60s slapstick comedy!

AND… You can’t forget Doris’ wardrobe! It’s fabulous and just furthermore proves she was one of the best dressed ladies on screen!

Doris Day wears mermaid costume in The Glass Bottom Boat
(from Dorisday.net) Doris the mermaid!

PS: CLICK here to see my autographed picture of of Doris I received in July 2018, after I wrote to her that May.

4th Golden Boy Blogathon Announcement

It’s that time of year again where Ginnie, Michaela and I celebrate the actor, conservationist, Oscar winner and most importantly wonderful man William Franklin Beedle Jr. (aka William Holden).

Image result for william holden gif

The rules are the same as last year’s and as a refresher are below

1- Choose a subject. It can be anything related to William Holden, as long as you remember that the main focus is him!

  • No more than two people can claim the same subject!
  • A maximum of two entries.

2- Please submit your subject here in the comments on my blog, or on Ginnie’s or Michaelas. Tell us your topic, the name of your blog, plus its URL.

3- Once your subject is confirmed, grab one of the Bill friendly banners (below at end of page) and include it on your blog in order to help us promote the blogathon!

4- The blogathon runs from April 17 to April 19, 2019.

5- On the blogathon dates, each one of us will update a new post where you will be able to submit your entry.

Please help us spread the word about the blogathon. Talk about it to your blogger friends, share it on various social media, etc. We want to have as many participants as possible. We want to know you heart Bill Holden as much as we do!

TOPICS TAKEN TWICE

  • Stalag 17
  • Sunset Blvd

ROSTER

Love Letters to Old Hollywood – Rachel and the Stranger (1948)

The Flapper Dame– Personal tribute to William Holden

The Wonderful World of Cinema– Union Station (1950)

THE Stop Button- Stalag 17 (1953)

Poppity Talks Classic Films – Breezy (1973)

Movie Rob – Fedora (1978) and Force of Arms (1951)

Taking Up Room – Sunset Boulevard (1950)

Crimson Kimono – Sunset Boulevard (1950)

Pale Writer – Sabrina (1954)

The Midnite Drive-In  The Bridges at Toko-Ri (1957) and The Bridge on the River Kwai (1957)

Maddy Loves Her Classic Films – Five Favourite William Holden Films

Musings of a Classic Film Addict – Stalag 17 (1953)

Screen Dreams – Golden Boy (1939)

Real Weegie Midget Reviews – S.O.B (1980)

Overture Books and Films – Apartment for Peggy (1948)

Dubsism – Streets of Laredo (1949)

Crítica Retrô – The Moon Is Blue (1953)

William Holden Appreciation – William Holden and Conservation

The Story Enthusiast – Meet the Stewarts (1942)

***

BANNERS (This year, I made them!!)

Jean Harlow steals the meal in Dinner at Eight (1933)

Happy March everyone! I’m back today for an entry for my two fellow awesome bloggers that I absolutely positively adore, Ginnie at the Wonderful World of Cinema and Samantha of Musings of A Classic Film Addict, as they are hosting a blogathon in honor of another fabulous lady (like themselves)- Jean Harlow.

Jean Harlow was the original blonde bombshell who had a brief spell in Hollywood, a tragic end, yet had an enormous impact on movies and was certainly a Queen of the Screen in the 1930s.

Dinner at Eight (1933)
(AMC filmsite)

In Hollywood, its sometimes hard to stand out, but Jean always made her presence known- and the best part of was she didn’t even have to draw extra attention to herself- she was was herself and people noticed her. And it’s exactly that quality about her that made her stand out in George Cukor’s 1933 comedy of manners pre-code flick Dinner at Eight.

Dinner at Eight is tricky to categorize and even write about. Its a comedy of manners, contains an “all star” cast (Marie Dressler, John Barrymore AND Lionel Barrymore, Wallace Beery, Lee Tracy, Edmund Lowe, Billie Burke!) is episodic in plot structure, and is pre-code in its themes (they vividly talk about topics such as suicide, infidelity, alcoholism, financial destitute, and more).

The flick is often seen as a “twin” to 1932’s Grand Hotel and a precursor to all of the comedies of the high society rich we all know and love such as: My Man Godfrey (1936), Merrily We Live (1938) , Holiday (1938), and The Philadelphia Story (1940) to name a few. While this movie is all about the preparation for the dinner and we never see the actual event, we do however see the more interesting conflicts of what the guests are dealing with before they put on their facade being “rich and stuffy” at dinner.

But because this is Jean Harlow’s blogathon, I thought it would be more fun to write why Jean makes herself the scene stealer in a picture filled with stars!

1- She makes the most of her role: Jean plays the part of Kitty Packard (wife to Wallace Beery’s Dan). In this movie there is a cast of 25 (according to wikipedia!) with 8 actors getting main billing above the title. Jean is also acting amongst some of the most famous veteran players of her day: John and Linonel Barrymore! Silent star Marie Dressler! Beloved stage star Billie Burke! But in it all, here we are talking about Jean’s legacy in the film. Many today cite this was not only her finest but most complex performance: she just wasn’t Clark Gable’s girl to win or the pretty blonde girl at the party- she had a real interesting layers to her character that made you want to keep your eyes on her in the scenes she was in.

2- She has a gorgeous wardrobe: This movie in general is just so pretty to look at! Everything is art-deco and beautiful, including Jean’s wardrobe! Don’t you just want to borrow her outfits!?

Image result for dinner at eight jean harlow
(wikipedia)
Image result for dinner at eight jean harlow
With Marie Dressler (hollywoodreporter.com)
Image result for jean harlow dinner at eight
Pintrest
CAN I BORROW THIS!!??

3- Jean gets the snappy lines: This may be the reason we remember Jean so instantly when we discuss this movie as Jean has some of the best dialogue lines in the film. Here is just a sample of her best ones!

Dan: You mean to tell me you’ve been putting it over on me with some other man? 
Kitty: Yes, and what are ya gonna do about it, ya big gasbag?


Dan: Remember what I told you last week? 
Kitty: I don’t remember what you told me a minute ago.

and finally this last exchange which happens to be the final scene in the movie: I’m leaving it as a video so you can watch if you choose

Gotta love Jean!!! Check out the other entries here

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THANKS FOR HOSTING LADIES!!!!