2018 Classic Movie Day- 5 50’s Films

50's Blogathon

In Honor of National Classic Movie Day this year Classic Film and TV cafe is doing a theme of choosing 5 classic films from the 50s. Personally, I consider the 1950s the last true “classic” decade for movies as it all changed during the 60s. Without further ado, my choices (in chronological order) are as follows:

The Quiet Man (1952)- My favorite (non-western) John Wayne movie! I recently saw it in a theater setting in March; it was spectacular! (It really is more romantic on the big screen btw!!!)

Poster - Quiet Man, The 01.jpg

Gentlemen Prefer Blondes (1953)- J’adore this film! Every song on the soundtrack, the sparkling costumes, and Jane and Marilyn together are just perfection! Who doesn’t want to be a “Little girl from Little Rock” and believe that “Diamonds are a girl’s best friend”?

Gentlemen Prefer Blondes (1953) film poster.jpg

Roman Holiday (1953)- Audrey and Greg are so wonderful!!! And no one but Audrey can be that perfect in a Hollywood debut!

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Rear Window (1954)- You gotta have a Hitchcock! This is one of my favorite movies of all time and it was not only my first Hitch film, but one of my first “Classic Hollywood” movies in general. (Grace Kelly is my favorite so I had to include it!!)

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Sleeping Beauty (1959)- I have loved this film since childhood. Princess Aurora is my second favorite Disney Princess, but she was one of the first that I ever saw on screen. The storyline and characterizations may suffer a bit, but the music and the cinematic look of this movie is just a masterpiece!! Sad that its Disney’s last fairy tale he actually worked on.

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And because I am gonna cheat a little bit here are 5 runners up (to complete a top 10): Sunset Blvd (1950), Niagara (1953), Mister Roberts (1955), Lady and the Tramp (1955), An Affair to Remember (1957).

I really loved doing this little post because its an ,”easy task”, but a hard decision!! I’m off to read all of your posts!!! Happy Classic Movie Day everyone!!

(All movie posters from WIKIPEDIA)

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Strait Jacket- Joan Crawford Queen of the Screen

When it comes to Joan Crawford, I may not be a major fan of hers, but do believe she had a major staying power in Hollywood that few others processed. I admire her determination and have warmed up to some of her movies, with me being able to appreciate her as an actress, so I didn’t pass up the opportunity to participate in Pale Writer and Poppity Talks Classic films Joan Crawford Queen of the Screen blogathon!

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Unlike most classic Hollywood fans, I first learned of Strait Jacket though the FX Feud 2017 miniseries. I saw the side by side comparison on YouTube shortly after and really applauded the way they were able to replicate the trailer so accurately. However, that wasn’t enough to get me to watch the movie.

Fast forward two years later and I see it playing on TCM, so I decided to DVR it and give it a shot. Initially, I thought it would be just something super campy, embarrassing, and laughable- but I was gladly proven wrong, as this movie really blew me away with its suspense and acting.

Side by side comparison- its pretty cool!

Strait Jacket is basically the movie Joan did in place of Hush, Hush Sweet Charlotte (after she was replaced by Olivia de Hallivand) and I enjoyed it more than Charlotte. Joan stars as Lucy, a woman who after axe-murdering her husband and his lover, spends 20 years in a mental asylum. Lucy’s daughter Carol (Diane Baker) witnessed the murder, and she then is sent to live with Lucy’s brother, Bill and his wife, Emily (Leif Erikson and Rochelle Hudson).

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(wikipedia) The warning note was a heavy marketing tool

Directed by William Castle, this flick picks up when Lucy is released from the hospital and reunited with Carol. Carol is happy to have her Mom back again, and treats to her to a new dress, bracelets, and a wig- to make her feel 20 years younger. This all backfires however, when Lucy starts flirting with Carol’s fiancé, Michael Fields (John Anthony Hayes).

It gets even more twisted when a series of axe-murders start occurring again, and Bill and Carol suspect Lucy should be re-admitted to the mental asylum.

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(Joancrawfordbest.com) Joan believed so much in this project she participated in a national press tour to promote it

The actual twist is somewhat predictable, yet when it’s revealed, it’s still a lot to process with the whole backstory. I really can’t describe anymore plot without spoiling everything- but I will admit I was shocked by the final axe-murder victim, as well as the climactic reveal sequence.  

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(Imdb) Stunning visuals!

Overall, this movie is what I described earlier- campy and laughable- but it has solid performances that allows it to be likable. Joan is over the top – but is so brilliant at being so, that you end up being impressed by it. The axe murders by today’s standards are nothing scary- but are impressive, from the sound effect (chopping of a watermelon) to the visuals. And of course what makes this movie really work and stand out from other B-pictures of the era has to be the right amount of camp- from the opening title visuals to the scene with Joan lighting her cigarette on the turntable- it’s all in the name of entertainment.

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A true Queen of the Screen

And of course– I have to mention because this is Joan Crawford- Pepsi even has a cameo appearance. There is even blink and miss it scene with Mitchell Cox, the then-VP of Pepsi playing Lucy’s doctor.   

1964. 'Strait-Jacket.' With Diane Baker and Pepsi.
(JoanCrawfordbest.com)

CLICK HERE to buy Strait Jacket on Blu Ray from Amazon!

The Glass Bottom Boat (1966)

To celebrate Ms. Doris Day’s 97th birthday, Michaela of Love Letters to Old Hollywood is hosting the Third Doris Day Blogathon and I couldn’t pass up this opportunity to write about the 1966 rom-com The Glass Bottom Boat starring Doris and Rod Taylor (reuniting with Doris after 1965’s Do Not Disturb).

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(via TCM)

Also starring Paul Lynde, Dom DeLuise, Edward Andrews, Alice Pearce, and George Tobias, The Glass Bottom Boat is a product of its time. It sees Doris playing Jennifer Nelson- who works part time as a mermaid for her Dad’s (Arthur Godfrey) glass-bottom boat tourist operation. One day while swimming on the job, she meets Bruce Templeton (Rod) when he accidentally snags her mermaid tail with his fishing rod! When they meet, Jennifer realizes Bruce also works at the Aero-Space lab where she works as a secretary. Bruce commissions Jennifer to write his life story (and so they can spend more time together!), but when she starts her work of following Bruce around (for the book), the security chief at the lab suspect she’s really a spy! Its then up to Jennifer to convince everyone she is not a spy- in order to catch the real spy!

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(from Dorisday.net)

Just from reading other people’s reviews, this is an entry on Doris Day’s filmography that seems to divide fans. Personally, I enjoy it and do appreciate for what it is. I realize it’s not the most essential film Doris made- but it is funny, there’s the cute scene of Jennifer “walking” her dog while she’s at work, and there’s even a touch of physical comedy. The opening song is so catchy and the main titles are so colorful- which are very much a time capsule of 1960s graphics; anyone else think they are vastly overlooked!? But main thing about this flick I really adore is the chemistry between Doris and Rod- it is so magnetic! In fact, if another actor had been cast alongside her, I don’t think this movie would be enjoyable at all.

The opening credits! Love those graphics!

With that being said, I do understand why some people don’t like this movie. For starters, despite the fact the film is only 110 minutes, towards the end it does begin to drag. Secondly, the plot is not very convincing and there are some elements that have aged poorly- space age, Russian spies, some of the jokes and comedy gags.

Whatever you may think of this film, I can declare the under-rated thing about it is trying to explain it to someone due to the topics they combined to make it. You’ve got NASA, and the space factors combined with Doris working as a mermaid. Mix that with the handsomeness of Rod Taylor for a good romance and the wonderful comedic timing that Doris has and you’ve got yourself one genuine 60s slapstick comedy!

AND… You can’t forget Doris’ wardrobe! It’s fabulous and just furthermore proves she was one of the best dressed ladies on screen!

Doris Day wears mermaid costume in The Glass Bottom Boat
(from Dorisday.net) Doris the mermaid!

PS: CLICK here to see my autographed picture of of Doris I received in July 2018, after I wrote to her that May.

4th Golden Boy Blogathon Announcement

It’s that time of year again where Ginnie, Michaela and I celebrate the actor, conservationist, Oscar winner and most importantly wonderful man William Franklin Beedle Jr. (aka William Holden).

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The rules are the same as last year’s and as a refresher are below

1- Choose a subject. It can be anything related to William Holden, as long as you remember that the main focus is him!

  • No more than two people can claim the same subject!
  • A maximum of two entries.

2- Please submit your subject here in the comments on my blog, or on Ginnie’s or Michaelas. Tell us your topic, the name of your blog, plus its URL.

3- Once your subject is confirmed, grab one of the Bill friendly banners (below at end of page) and include it on your blog in order to help us promote the blogathon!

4- The blogathon runs from April 17 to April 19, 2019.

5- On the blogathon dates, each one of us will update a new post where you will be able to submit your entry.

Please help us spread the word about the blogathon. Talk about it to your blogger friends, share it on various social media, etc. We want to have as many participants as possible. We want to know you heart Bill Holden as much as we do!

TOPICS TAKEN TWICE

  • Stalag 17
  • Sunset Blvd

ROSTER

Love Letters to Old Hollywood – Rachel and the Stranger (1948)

The Flapper Dame– Personal tribute to William Holden

The Wonderful World of Cinema– Union Station (1950)

THE Stop Button- Stalag 17 (1953)

Poppity Talks Classic Films – Breezy (1973)

Movie Rob – Fedora (1978) and Force of Arms (1951)

Taking Up Room – Sunset Boulevard (1950)

Crimson Kimono – Sunset Boulevard (1950)

Pale Writer – Sabrina (1954)

The Midnite Drive-In  The Bridges at Toko-Ri (1957) and The Bridge on the River Kwai (1957)

Maddy Loves Her Classic Films – Five Favourite William Holden Films

Musings of a Classic Film Addict – Stalag 17 (1953)

Screen Dreams – Golden Boy (1939)

Real Weegie Midget Reviews – S.O.B (1980)

Overture Books and Films – Apartment for Peggy (1948)

Dubsism – Streets of Laredo (1949)

Crítica Retrô – The Moon Is Blue (1953)

William Holden Appreciation – William Holden and Conservation

The Story Enthusiast – Meet the Stewarts (1942)

***

BANNERS (This year, I made them!!)

Jean Harlow steals the meal in Dinner at Eight (1933)

Happy March everyone! I’m back today for an entry for my two fellow awesome bloggers that I absolutely positively adore, Ginnie at the Wonderful World of Cinema and Samantha of Musings of A Classic Film Addict, as they are hosting a blogathon in honor of another fabulous lady (like themselves)- Jean Harlow.

Jean Harlow was the original blonde bombshell who had a brief spell in Hollywood, a tragic end, yet had an enormous impact on movies and was certainly a Queen of the Screen in the 1930s.

Dinner at Eight (1933)
(AMC filmsite)

In Hollywood, its sometimes hard to stand out, but Jean always made her presence known- and the best part of was she didn’t even have to draw extra attention to herself- she was was herself and people noticed her. And it’s exactly that quality about her that made her stand out in George Cukor’s 1933 comedy of manners pre-code flick Dinner at Eight.

Dinner at Eight is tricky to categorize and even write about. Its a comedy of manners, contains an “all star” cast (Marie Dressler, John Barrymore AND Lionel Barrymore, Wallace Beery, Lee Tracy, Edmund Lowe, Billie Burke!) is episodic in plot structure, and is pre-code in its themes (they vividly talk about topics such as suicide, infidelity, alcoholism, financial destitute, and more).

The flick is often seen as a “twin” to 1932’s Grand Hotel and a precursor to all of the comedies of the high society rich we all know and love such as: My Man Godfrey (1936), Merrily We Live (1938) , Holiday (1938), and The Philadelphia Story (1940) to name a few. While this movie is all about the preparation for the dinner and we never see the actual event, we do however see the more interesting conflicts of what the guests are dealing with before they put on their facade being “rich and stuffy” at dinner.

But because this is Jean Harlow’s blogathon, I thought it would be more fun to write why Jean makes herself the scene stealer in a picture filled with stars!

1- She makes the most of her role: Jean plays the part of Kitty Packard (wife to Wallace Beery’s Dan). In this movie there is a cast of 25 (according to wikipedia!) with 8 actors getting main billing above the title. Jean is also acting amongst some of the most famous veteran players of her day: John and Linonel Barrymore! Silent star Marie Dressler! Beloved stage star Billie Burke! But in it all, here we are talking about Jean’s legacy in the film. Many today cite this was not only her finest but most complex performance: she just wasn’t Clark Gable’s girl to win or the pretty blonde girl at the party- she had a real interesting layers to her character that made you want to keep your eyes on her in the scenes she was in.

2- She has a gorgeous wardrobe: This movie in general is just so pretty to look at! Everything is art-deco and beautiful, including Jean’s wardrobe! Don’t you just want to borrow her outfits!?

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(wikipedia)
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With Marie Dressler (hollywoodreporter.com)
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Pintrest
CAN I BORROW THIS!!??

3- Jean gets the snappy lines: This may be the reason we remember Jean so instantly when we discuss this movie as Jean has some of the best dialogue lines in the film. Here is just a sample of her best ones!

Dan: You mean to tell me you’ve been putting it over on me with some other man? 
Kitty: Yes, and what are ya gonna do about it, ya big gasbag?


Dan: Remember what I told you last week? 
Kitty: I don’t remember what you told me a minute ago.

and finally this last exchange which happens to be the final scene in the movie: I’m leaving it as a video so you can watch if you choose

Gotta love Jean!!! Check out the other entries here

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THANKS FOR HOSTING LADIES!!!!

Night of the Iguana (1964)- Richard Burton Blogathon

The Night of the Iguana poster.jpg

To be very honest I chose to do this (late) review of Night of the Iguana (so so sorry and again thanks for allowing the late posting!!!) for the Richard Burton Blogathon because 1- It was on TCM and 2- I don’t own any Burton Films. This was my first Burton film I had watched and while I didn’t love the movie- I did appreciate the performances.

Perhaps I didn’t like the movie because I’m not a super big fan of Tennessee Williams OR director John Huston (I don’t dislike Huston, I just don’t count him in my top favorites).

Night of the Iguana sees RB as Reverend Dr. T. Lawrence Shannon and the aftermath of his affair with a Sunday school teacher. The main narrative picks up two years after the event and Shannon is working as a tour bus driver in Mexico. One day after 17 year old Charlotte  Goodall (Sue Lyon) fails at seducing Shannon during a bus ride, he makes a stop at Costa Verde hotel in Mismaloya, thinking it is still run by his old friend, but soon finds his widow Maxine (Ava Gardner) running the place.

Richard Burton and Ava Gardner in The Night of the Iguana (1964)

It is there, Shannon runs into two guests: painter Hannah Jelkes (Deborah Kerr) and her poet grandfather (Cyril Delevanti). During the night’s stay Shannon faces his inner demons head on, which Burton portrays in a very evoking emotional performance.

Despite the fact the actors are all great- I, much like those in 1964, don’t understand this movie. I really don’t get the whole iguana metaphor, in terms of figurative metaphor. It’s visually there on screen yes- but I really can’t connect it with Reverend Shannon (It’s probably because I’m reading too much into it?).

In today’s view- the plot and characters of this movie have gone on to become a topic of study, but as I mentioned, at the time of release no one really cared about the plot, as the real performances were occurring off camera with just-waiting-to-break scandals. Elizabeth Taylor was staying with Burton while on location, (just after her divorce from his manager) while Deborah Kerr’s husband, Peter Viertel, was an “old friend” of Ava Gardner’s. According to IMDB, John Huston gave the cast gold plated guns during the filming.

Anyways, I do want to see more of Richard Burton’s films because he is a distinctive actor and a fine performer. Maybe one day I will actually understand this movie’s sentiments and message- but for the first time around I didn’t quite grasp it. But for now, I am dying to see Anne of a Thousand Days because I am a Tudor-holic!!!

Here’s hoping in the future I will be willing to give this one another chance!!

WRITTEN FOR THE RICHARD BURTON  BLOGATHON

PICTURES: Wikipedia, Top poster IMDB- for the others

Rear Window- 4th Wonderful Grace Kelly Blogathon

This year for the Grace Kelly Blogathon Day 2 I made the daunting decision to write up on Alfred Hitchcock’s Rear Window (1954)– which is arguably not only The Master’s best film, but also Grace’s best role.

But before I get into some of the technicalities, I will say that instead of giving a boring bloated analysis of it- Id like to focus on some of the stand out pieces that I feel make the picture brilliant

Grace plays Lisa Carol Fremont in this role- a model and independent woman. Her boyfriend is a photographer LB “Jeff” Jefferies (maybe that’s how they met!) played by Jimmy Stewart. Jeff breaks his leg and is holed up in his apartment with nothing to do but stare out and “spy” on his neighbors. Its all people watching until one night he suspects his neighbor Lars Thorwald (Raymond Burr) murders his wife. Jeff, Lisa, along with Jeff’s nurse Stella (Thelma Ritter), then investigate the truth.

One element that I feel goes overlooked is the scene in which Lisa turns on the lights and introduces herself to the audience. Everyone focuses on her kiss entrance scene- but the scene that follows is just as brilliant.

Lisa goes over and turns on three lights- and with each light says a part of her name. But note the framing- the first light, Lisa- the camera is a close up; the second light, Carol- its a medium shot- and finally the third light, Fremont, the camera zooms out to a long shot in which we get to see her gorgeous black and white frock.

Its pieces like this in which I feel Hitchcock’s tiniest details of framing and dialogue go great with each other. And Grace- she’s the only actress who could make an entrance as simple as this super sophisticated and elegant.

Another element in this movie that I feel may be under rated is Hitchcock’s use of sound. Except for the opening credits, all sound in this film is diegetic sound. Its an interesting choice for Hitch, as usually his soundtrack scores are a key focus of his films. Take a look at the intro to the film (don’t worry no spoilers)

I’m not a fan of Jazz- but there is something so infectious about this piece of music that sets the scene for the film. You automatically thing New York, the 50s, glamour, but business of the city. Also note how in the title sequence there are shades opening almost as if the audience is the voyeur for this picture.

Next- lets talk about the under rated and often taken for granted set of this movie- its a whole neighborhood in a sound stage- and that’s something you rarely see anymore (as its too expensive!). This is a set with no green screen, or digital apartments- they are really there and they are built. From what I know- they used two sound stages and the apartments were the street level while places like the courtyard were actually the basement.

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All apartments were made livable, and Hitchcock would give direction through an earpiece that all the actors had. Watch the video for the opening scene of the neighborhood and courtyard- just mind blowing on how that was all created!!

Finally- Lets discuss Grace Kelly in this movie!! This is her ultimate glamour role, her ultimate Hitchcock role and her most well known role. I feel only she could be Lisa Carol Fremont and if someone else like Vera Miles or Kim Novak would have played the role- this picture would not have been as believable or memorable. Lisa Fremont is so proactive, more than just the “girlfriend”and sidekick- as she’s the one doing the action scenes that Jeff can’t. I believe Hitch spent the rest of his career trying to find another actress to create a role such as this- but naturally and utterly failed, finding good, but somewhat sub-parr actresses for big roles in his pictures. Its so easy to take for granted how phenomenal Grace is in this role!!!

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In Sept 2017 (the day of Grace’s death) I had the pleasure of viewing Rear Window on the big screen and I can say that it absolutely changes your experience. Seeing every moment play out on the big screen makes it all more thrilling and dazzling.

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Click here to read a post I did concerning the fashions of Rear Window.

To Grace I will say that on this happiest day her birthday-I hope we can all pay her a great tribute, and I hope she is thrilled and perhaps touched that there are so many young people who still adore her and her movies!

 

The Front Page and His Girl Friday

Happy Noirvember everyone! I’m back for the first entry of 3 this month kicking November off with Phyllis Loves Classic Movies’s remake of the THEY REMADE WHAT? blogathon.

His Girl Friday poster.jpg    Image result for the front page

When it comes to His Girl Friday (1940) and The Front Page (1931), its easy to dismiss Lewis Milestone’s The Front Page as just simply, “the original His Girl Friday”. And of course His Girl Friday is so famous in its own right many may forget that it is a remake- it was one of the first movies ever to have overlapping dialogue, is a favorite amongst Cary Grant fans, and contains the now iconic performance of Rosalind Russell as Hildy Johnson (as Howard Hawks switched this character from a man to a woman during audition read-throughs, when his secretary read the part of Hildy).

However, upon viewing The Front Page for the first time ever, The Front Page is significant in its own right. Up until His Girl Friday, it was the fastest talking picture ever produced and even though yes- it can sometimes struggle with that pre-code dialogue delivery by some of its actors- its very forward in its production and it paves the way in what was to come in the style of which movies were made (see a video link at the end).

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 Ben Hecht- co writer of the original play

The plot of both these films is the same, and both are adaptions of the 1928 Ben Hecht- Charles MacArthur Broadway play of the same name. Editor Walter Burns and reporter Hildy Johnson are perfect work partners (and in His Girl Friday– ex man and wife), that is until Hildy announces s/he is getting married and will therefore be leaving the newspaper’s employment. Walter wanting to keep his star reporter on board then entices Hildy with the assignment of covering the story on escaped accused murderer Earl Williams. Hilarity then follows when Walter sets up stunts to delay Hildy’s departure- from kidnapping his/her future Mother in law to hiding Williams in a roll top desk!! (And of course there’s the additon of the throw -away fiancee for even more laughs!)

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Cary Grant and Rosalind Russell 

Comparing the two- I have seen His Girl Friday many more times- and I will say it does have the edge in terms of a picture overall but, sometimes the Walter-Hildy romance sidelines the main focus of the newspaper and the dialogue goes so fast you have to go back and play certain lines again to make sure you are hearing it right. The delivery of the dialogue in The Front Page may be weaker, and that’s not the actors fault’s, as this is still an early talkie picture, when speech was still being perfected, but it’s better than a lot of others made around the same time. Adolph Menjou especially gives a great performance as Walter- and hits the dialogue marks nicely- but I’m saying it- he can’t top Cary Grant’s manner of speaking- Cary owns this role.

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Adolph Menjou, Pat O’Brien, Mary Brian

In terms of Hildy- its not really applicable to compare the two- as they are basically different characters in these movies. I think its fair to say that while His Girl Friday is a comedy of remarriage The Front Page is more a buddy- buddy comedy and is actually (probably) more comparable to the 1974 Billy Wilder remake (I have not seen this version), in which Hildy is once again a male character. I will say Rosalind Russell is superb in her role. She won the part at the last minute- and after basically everyone else (Jean Arthur, Ginger Rogers, Carole Lombard to name a few!)  in Hollywood turned it down.

Overall, I do declare these two films do tell a story of Hollywood evolving in its ability to tell the same story in different production eras. The Front Page came out in 1931- the early talkie, pre code era that was on the verge of change, and His Girl Friday is from 1940, at the height of screwball comedy- and I can see now they both influenced the later works that followed.

Front page movie poster.jpg         Switching Channels.jpg

Remade again! in 1974.. and again  in 1988 as Switching Channels

If I had to give a key difference to describe both of these movies, I conclude that while The Front Page is a more faithful adaption to the play, His Girl Friday is what happens when filmmakers give their own spin on an established story- and in this case it paid of wonderfully for both Howard Hawks and the screwball legacy.

Both of these movies are also in the public domain and are available to watch on youtube.

Check out this video from filmstuck  discussing some of the changes made to His Girl Friday- they talk about character framing/ placement and the side by side comparison of the dialogue- it really gets at the distinguishable changes!!

 

PS- Check out this  cool new musical for Buttons!!! with an all star cast- the film comes out Dec 8 in select theaters only! Check Fathom events links for details!!

Buttons Ticket Page 
Buttons Website
Official Trailer

5 Classic Films I personally don’t care for

Hi All! I hope October is treating you well! Before the Blogathon rush of November (seriously think I’m doing at least 3??!!) I thought I would do something a little bit different. Obviously, I love classic films, but not even those who blog about them can say we love every single film we watch. I’ve seen a dud or two (or many) and I wanted to share 5 films that I personally can’t get into. This isn’t to say they are, “bad”, or, “poorly made”, or that others don’t enjoy them- they are just some I don’t care for. Disclaimer: I am not bashing these in any way- and if you happen to love them, that’s truly fine- and cool you see something I don’t!! 😉 

I present to you Five Films The Flapper Dame doesn’t love:

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1- Blood and Sand (1941)- Let me start off by saying this film has great cinematography and costumes. But I can’t get into the plot- as it’s so sloowww- nor do I really “love” Tyrone Power (NOTE: Witness for the Prosecution (1957) is an amazing film though!!!).

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2- McQ (1974)- I LOVE JOHN WAYNE- I do- I even visited his childhood home! But- I do not like this film. It’s got a cast who don’t really gel together on top of a role that doesn’t suit John Wayne too well. I buy he can be a cop, but somehow to me it doesn’t work on this movie.

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3-  Jamaica Inn (1939)- A Hitchcock film from the Golden Year with the cast members of Maureen O’Hara and Charles Laughton seems like it couldn’t fail- but its really bad. The plot set up seems excellent when you read the synopsis, but then you watch and it is awful. Even Mr. Hitchcock claimed the picture was horrible.

Image result for my fair lady4- My Fair Lady (1964)- Audrey is in my top 5 favorite leading ladies, yet this is not a film  I like. I know it won best picture but for some reason, I don’t enjoy it. Maybe its the dubbing of Audrey’s voice or perhaps the length of the movie- I can’t pinpoint why!

 

 

Image result for the man in the flannel suit 1956

5-The Man in the Flannel Gray Suit (1956)- I like the whole Mad Men vibe and honestly think yes- how is Mad Men not ripped off of this??- but there’s something that’s very dis-connective about the whole film- as in- yes, the flashbacks are important but they don’t seem to resonate with the present narrative. Maybe the story being told doesn’t sit well in a movie run time, and that’s why Mad Men worked as a TV show for the overall narrative.

 

And there you have it! Again-I mean no harm if you like these movies! I may love a film you don’t like, but that’s the beauty of films- it is what it is, yet we all see something different!

See you all for those blogathons in November!!

Honors for my Little Blog! Top 30 listed by Feedspot

 

Last week a list compiled by Feedspot was made up of the 30 most popular classic film blogs on the internet and I’m proud and honored to say that my little blog, The Flapper Dame ranks 30 on that list!

It’s a humbling experience and I must say- writing for classic film is a real joy in my life. When your job gets you down and irritated, and you’ve got few other hobbies, writing (and watching!) about classic films and the men/women who made them is the best escape from that.

Its also awesome a lot of my fellow writers I’ve come to know and admire made the list- The Wonderful World of Cinema, In the Good Old days of Classic Hollywood, Silver Screenings, Once upon a Screen, etc- they all have become my inspirations and encourage me to become a better writer!

Number one is of course The Classic Movie Hub- and rightfully so, as it’s seriously is the best of the best of the best from contests, to film screenings, to an encyclopedia of knowledge on every classic actor and film, Ann Marie runs the coolest website on the web!

But last but not least- I want to thank the readers- casual, devout, a one time reader passing by- you all are the reason for my ranking and for that- I”m truly in your in debt- I would have no blog if It wasn’t for you all!!!

I also wanna give a major shout out to my Mom, Sandra, who is always telling people about my blog and telling me to email my address to her friends- I really credit her for the success of the blog!

Further shout outs go to my Dad, Thomas and sister, Eliza as well as two teachers: my college speech teacher Mike Shannon and my high school AP US government teacher Mr. James Wool- for always being supportive.

And, of course my Grandfather Joseph Kasper, for introducing me to my first “movie star” John Wayne.

Without any of them this blog would not have ever happened!

Here’s to classic film bloggers and lovers everywhere!

Classic Movie Blogs